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October 28, 2026

A UC Law SF Grad Session at the Palace of Fine Arts

UC Law SF graduate in a black suit and blue-and-gold stole stands beside the lagoon at the Palace of Fine Arts, golden-hour sun flaring through the rotunda columns behind him

His sister booked the shoot for him, which is one of my favorite ways a session can come together — there's already so much care built into it before we even start. And he showed up completely himself. Genuine, relaxed, happy to explore every corner of the Palace of Fine Arts. No stiffness, no forcing it. Just a guy in the middle of a big moment, letting it land.

The Palace of Fine Arts at golden hour is something I never take for granted. The sandstone rotunda goes warm and almost amber in that late-afternoon light, the lagoon mirrors it back, and when the sun dips low enough to push through the colonnades, the whole place turns cinematic in a way that feels almost unfair. We moved through the grounds — along the lagoon edge where the fountain sits in the middle distance, up close to the massive terracotta urns tucked against the stone walls with their overgrown greenery, and out in front of the rotunda where the dome frames everything behind him. Every angle had something. If you're thinking about shooting here, my Palace of Fine Arts Location Guide gets into the specific spots and what the light does at different times of day.

He came with two looks: a black suit with the UC Law SF stole in navy and gold, and his full doctoral regalia — dark gown with royal blue velvet panels, the same stole, the tam. Both read beautifully against the warm stone and the water. The stole's blue and gold pop against his suit in the open lagoon shots, and in the regalia frames, tucked in close to the walls of the Palace, the greenery and sandstone give everything this quiet sense of weight — the kind that matches finishing a law degree.

What I remember most from this session is how easy his energy was to work with. Arms crossed, wide grin, hands easy in his pockets, gaze drifting somewhere off camera — whatever we tried, it landed. That kind of genuine presence makes a photographer's job feel effortless, and it shows in every frame. Some of the best shots came when he wasn't thinking about being photographed at all, just standing at the lagoon's edge while that sunlight came pouring through the arches behind him.

For anyone planning a law school grad session, the regalia matters a lot to how the photos feel — and the Palace holds up to it. The architecture has enough scale and texture that doctoral gowns don't look overdressed; they look exactly right. Golden hour timing is worth planning around. The light moves fast once the sun gets low, but when it's there, it's extraordinary. My Grad Photography Guide has more on how to think through timing and what to bring.

Congratulations on finishing law school — and to his sister for thinking to make this happen. These are the kinds of photos that are worth having.

More from this story

UC Law SF graduate in black suit and navy-and-gold stole stands arms crossed beside the Palace of Fine Arts lagoon, golden hour sunlight streaming through the colonnades behind him with the fountain visible in the background
UC Law SF graduate smiling in a black suit and blue-and-gold stole, standing before the Palace of Fine Arts rotunda and lagoon fountain at golden hour in San Francisco
UC Law SF graduate stands arms crossed beside a large terracotta urn at the Palace of Fine Arts, smiling confidently in a dark doctoral gown with royal blue velvet and gold trim, surrounded by lush garden greenery in warm golden-hour light.
UC Law SF graduate stands smiling in doctoral regalia with blue and gold stole beside the lagoon at Palace of Fine Arts, a fountain and warm golden-hour light filling the background
UC Law SF graduate in black doctoral regalia with blue and gold hood stands at the Palace of Fine Arts rotunda during golden hour, the lagoon fountain and warm sandstone dome glowing behind him

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